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| Uqqurmiut Arts and Crafts |
| Avataq Cultural Institute |
| Totem Poles |
| Overview |
| Because the rich sea life and forest resources made aboriginal survival relatively easy, and people learned how to preserve and store food, time was available for the development of a complex social and ceremonial life supported by art forms unique to this part of the world and considered by anthropologist Claude Lévi-Strauss to be equal in significance to those of Greece and Rome. The term "totem pole" generally refers to the tall cedar poles with multiple figures carved by Native people of the Northwest Coast beginning in the early nineteenth century. There are primarily three types of monumental poles: house frontal poles placed against the house front, often incorporating doorways of houses; carved interior house posts that support massive roof beams, and free-standing memorial poles placed in front of houses to honor deceased chiefs or mythical beings. Mortuary poles in some locales supported boxy coffins at the top. The figures on totem poles are inherited crests, mostly animistic, which identify the pole owners and tell their family histories. Clearly, they are not worshipped in any religious sense, but they do play a central role in aboriginal culture for thousands of years, as well as today. |
Comprising Canada's First Nations Peoples, seven distinct indigenous language and cultural groups have lived on the Northwest Coast between Skagway, Alaska and Seattle, Washington. From north to south, Tlingit, Tsimshian, Haida, Kwakwaka'wakw (aka Kwakiutl, Kwagiutl, Kwagiuth, and Kwaaqyuulth), Bella Coola, West Coast (aka Nuu'chah'nulth, formerly Nootka), and Coast Salish, which includes the Squamish, have each developed highly distinctive cultures and geographical subdivisions or bands. Nonetheless, since Emily Carr operated more in the personal than in the political realm, she probably didn't distinguish much between them, taking them all to her bosom as creative souls living in the margins of majority society, an identification she shared. |


| Quintana Galleries |
| Since its establishment in 1972, Quintana Galleries has become one of the Northwest's most important forums for Native American Arts. Our cultivated collection of both antique and contemporary works ranges from totem poles and transformation masks of the Northwest Coast to the fine antique baskets of the Tlingit of Alaska. Quintana Galleries, located in the Pearl District Quintana Galleries is proud to represent a talented group of highly-trained fine artists as well as self-taught makers of fine objects. Each artist's style is unique and of the highest caliber. Our top priority has always been an active involvement in both Native communities and our own, with nonprofit organizations and with our esteemed clientele. We look forward to assisting both private and corporate clients as they establish distinctive collections of Native American Art. |

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